My Favorite De Palma Films
Sunday, April 22, 2018
 
My Favorite De Palma Films - Brian DePalma, Phantom of the Paradise, Scarface,
My Favorite De Palma Films  [3960 Page Views]
One of my Favorite Filmmakers!

Brian De Palma (born Brian Russell De Palma on September 11, 1940 in Newark, New Jersey) is a prolific, and controversial American film director.

Mark Taormino
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Frankie Goes To Hollywood Relax (Body Double)




Frankie Goes To Hollywood - Relax (Don't Do It)




Five themes for Brian de Palma




A Tribute To Brian DePalma




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Phantom Opening






Special To Me Jessica Harper






Phantom Watches From Skylight






Old Souls In Paradise Theater






Phantom Of The Paradise - Hell Of It




Phantom Trailer - HQ Trailer ( 1974 )






De Palma is often cited as a leading member of the New Hollywood generation of film directors, a distinct pedigree who either emerged from film schools or are overtly cine-literate. His contemporaries include Martin Scorsese, Paul Schrader, John Milius, George Lucas, Francis Ford Coppola, and Steven Spielberg. Scarface Trailer














Carrie Trailer




Blow Out - Trailer






Blowout Scene...




De Palma's artistry in directing and use of cinematography and suspense in several of his films is often compared to the work of the late Alfred Hitchcock. Throughout the 1970s and early 1980s, De Palma worked repeatedly with actors Jennifer Salt, Amy Irving, Nancy Allen (his wife from 1979 to 1983), William Finley, Charles Durning, Gerrit Graham, cinematographers Stephen H. Burum and Vilmos Zsigmond (see List of noted film director and cinematographer collaborations), set designer Jack Fisk, and composers Bernard Herrmann and Pino Donaggio. De Palma is credited with fostering the careers of or outright discovering Robert De Niro, Jill Clayburgh, John C. Reilly, John Leguizamo, and Margot Kidder. Dressed to Kill Trailer




De Palma has encouraged and fostered the filmmaking careers of directors such as Mark Romanek and Keith Gordon. Terrence Malick credits seeing De Palma's early films on college campus tours as a validation of independent film, and subsequently switched his attention from philosophy to filmmaking.

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